Vermont, meet Toni Catlin, Toni Catlin meet Vermont. Actually,
you've met before, though you shouldn't be faulted if you forgot. The silken-voiced
songstress grew up here but has spent the last several years plying her trade
in Nashville. Folks with an ear for slickly produced, twangy folk rock - 104.7PM
The Point, we're lookin' in your direction - would do well to become reacquainted.
And although it was released in 2006, Catlin's Uncovered is a good place to start.
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Maverick
Magazine review.
Toni
Catlin Nashville-based
singer-songwriter Toni Catlin takes a left turn on this latest album, which is,
as the title suggests, a selection of cover songs rather than the self-penned
songs she's known for. In fact, COVERED wasn't even intended for commercial release,
but was to be a personal little record made for her father. Simple acoustic arrangements
are the order of the day, but that doesn't translate into cheap and nasty. Far
from it! With producer Thom Jutz playing guitars, bass, mandolin, keyboards and
flute, alongside Pat Mclnerney (drums, percussion), Mark and Dave Roe (bass),
brother Bruce Catlin (mandolin) and exquisite background vocals by Sally Barris
this is an exceptionally polished, well-produced musical experience. Alan
Cackett Toni's
latest CD "Covered" |
| What's been said about Toni....
Toni Catlin
A number of the songs relate to a certain insecurity in the game of love. Not Goin' Down offering unequivocal advice to a wavering lover that, although the protagonist is prepared to fight to keep the flame aglow, love is a two way thing and if he fails to respond then the battle is lost. The driving Undertow shares a similar theme as indeed do Uncovered, Break Me Open and Shooting Arrows In The Dark, pleas to lovers to commit themselves to a deep and meaningful relationship. Strong Stuff, on the other hand, tells us of the singer's addiction to the touch of her lover and we find her making all the running on A Little Leads To More and Deeper while Disappear, one of the highlights of the album, with its sad sense of resignation, is one of the most poignant songs I have heard in a long while. Another heartbreaker is When The Morning Comes and this, coupled with Sunday Morning leave the listener in little doubt as to what it feels like to be the loser in love. None of these are mere 'nine-to-five' jingles. There is potency about every one, which makes for compelling listening. Jointly produced by Doug Lancio, who has worked with Gretchen Peters and Patty Griffin, and Thom Jutz, well known for his work with Richard Dobson for a number of years, the production is well suited to the material. There is a good balance between insistent, driving numbers, mid-paced songs and slow, heartfelt ballads. At no time is the singer drowned out by her backing which, in the experienced hands of Lancio and Jutz, offer exactly the right vehicle for the lyrics. It has been a five-year wait since Ms Catlin's last album. This lady has something fresh and meaningful to offer so one can only hope that we will not have to wait as long for her next album.
UNCOVERED should be readily available through most good import stores or may be
purchased via Toni's website. Turners
Hill House Concert, West Sussex Setlist
This provided Vermont native now Nashville based singer-songwriter Toni Catlin with her only UK gig for this year. A unique intimate stop-off before jetting off to play shows at Akrotiri Villas, Crete in Greece. It is always special to catch an artist when they have a great new album out. Her latest album UNCOVERED produced by the Grammy-nominated multi-instrumentalist / producer Doug Lancio certainly has been well received. Gaining radio airplay on Bob Harris' Country and extensive support across the UK local BBC network. She also showcased some brand new material from a cover song project, an idea of her father, which he encouraged her to embark on. Songs included bringing back halcyon days of being close to nature singing songs together around the campfire at the family resort Timberlock in the Adirondacks, New York State whilst enjoying the spectacular wilderness and lakeside settings. This project has been full mastered so expect to see another release at the latter part of this year. It is at this stage unnamed but I raised the question that perhaps it may be titled 'Covered'! Playing
solo in a totally unplugged guise she opened with the well-known folk song 'Wayfaring
Stranger' a Burl Ives signature song about a vagabond on a journey home, readers
may be more familiar with recordings by the likes of Emmylou Harris. Greatly
inspired by Patty Griffin after seeing her live 'We Are Water' was a song Patty
allowed Toni to cut in 2001 .It is therefore apt that they now share the same
producer in Doug Lancio, 6 of the 14 tracks on the 'Uncovered' album being credited
to him. Later in the set she also performed 'Top Of The World' another Patty Griffin
masterpiece.'Disappear' a personal favourite from the 'Uncovered' CD completely
captures Toni's stunning vocal. With her forlorn cry which has a delicacy and
fragility it draws in the listener especially when delivering the glorious chorus:
'Just like smoke into the atmosphere / I'll slip away and disappear / Like leaves
when they hit the ground / You won't have to hear the sound / Of my heart breaking
or dry my tears I'll just disappear. After 'Undertow' one of several songs she has co-written with L.A based Warren Sellers, we were informed that this was a carry-over track from a compilation CD called 'Girls with Guitars'. Toni was to tour the UK in 2001 with Kimberley Dahme and Cindy Kalmenson as part of a Girls With Guitars trio. Owing to the terrible events of September 11th understandably with families the other 2 girls cancelled. Toni spoke about flying over just days after "in a very empty plane" for her 1st ever UK date, such was her determination to bring her music to our country. 'Hallelujah' really grabbed the attention, something of an anthem song inspired by an article about the injustices in churches and in the greater world. Toni is still quite rightly immensely proud of the former title cut Me And My Heartache on the Run concerning surrender. This song co-written with Gwil Owen was a 2001 winner at the prestigious Chris Austin Songwriting Contest held at Merlefest in North Carolina. John Prine's superb 'Angel From Montgomery', always a crowd pleaser towards the end of a set well suited her soulful and emotional delivery and didn't disappoint. As the evening drew to a close we aptly heard the song 'Tenderly' with its opening 'The air is cooling and the sun's going down/.., written by L.A writer Kevin Fisher this appeared on Sherrié Austin's 1998 debut 'Words' Brand
new song 'So Beautiful' demonstrated the quality of this Nashville tunesmith,
the later being a hugely uplifting song with its special words. In fact earlier
after the rootsy 'Break Me Open' Toni spoke both of the challenges when writing
for publishers and that how Nashville has inspired her to "raise the bar"
musically with all the great music around. On the evidence of this West Sussex
House Concert she certainly has! Andy
Cole
"Toni
Catlin, Merlefest songwriting winner and exceptional folk-rock, country talent's
debut CD Heartache on the Run is deftly written and captivating." "Toni Catlin borrows
a moan from Patty Loveless, a sigh from Alison Krauss and a slightly edgy outsider
sound from Jamie O'Neal. It's not all somebody-done-somebody-wrong songs, but
expect a double dose of longing from this promising new Nashville artist. Eddie's
Attic." "Nashville-based singer-songwriter
Toni Catlin, a regular of Billy Block's infamous Western Beat live radio show,
delivers a debut album that is not only refreshingly different to most Music Row
productions, but also highly listenable. There are several notable A-team players
in attendance: Dave Pomeroy, Russ Pahl and Mike Seevers, not to mention Jon Randall
on background vocals. But the real star of this record is Catlin and her well-written
tunes, that stand up well to the pair of outside songs, Patty Griffin's We Are
Water and Julie Miller's Sometimes I Cry. Like Gretchen Peters, Shawn Colvin and
Miller at their most inspired, Catlin is a "Toni Catlin's Heartache on
the Run is one of those CD's that remind you of heading out on a long road trip,
either in a car or more profoundly on the "road trip"of life. Toni's
voice is pure and mature beyond what one would think of a debut album. It's like
the first time I heard Fiona Apple and Alana Davis both seemed too strong
and powerful for debuts, as if their old souls made for voices beyond first-time
recordings. " "Toni Catlin, a newer voice in Music
City but one steeped in deep blue country and literate folk. A Vermont native
with Colorado in her past, Catlin brings a touch of that mountain mellow vibe
to her brand of alt. Country." |
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Concert Review BR549
This is her second visit to our shores, and she has gained a fan in Radio 2 presenter Bob Harris, prompting a couple of appearances on his show.With just her guitar as accompaniment, Toni stuck mainly to tracks from her new CD, starting with the lively Breakin' New Ground with its thought-provoking lyrics, and showing off her strong and very emotive vocals on Wrong Side Of Me. Although Toni likes to sing mainly her own songs, she does make a few exceptions as in We Are Water, penned by one of her favourite writers, Patty Griffin. Her wonderfully soulful voice then enriched the gorgeous ballad Me And My Heartache On The Run, which was co- written with Gwil Owen, and If I where a Train, which would not sound out of place on a Martina McBride album. Toni also tried out a few new songs such as No Stopping This Heart and the beautiful I'm Gonna Live, which hopefully means that there will be another great album due out from this rootsy lady with the mellifluous voice. As introduced at the beginning of their live COAST TO COAST album, the mother of all hillbilly bands then took to the stage. I had been unsure before the concert if they would still be as good a band as before, as they had recently lost original members Gary Bennett and 'Smilin' Jay McDowell, who no longer wished to tour. But my fears were quickly dismissed as new members Willie Firebraugh on upright bass and Chris Scruggs on lead guitar and vocals slotted in sweetly. BR549 quickly got the crowd moving with their signature tune Cherokee Boogie. Don Herron then kept the mood going as he almost set his fiddle alight with the speed of his bow on the hillbilly favourite Bettie, Bettle. Chuck Mead never let the pace drop at all as he moved from one song to the next covering the pounding Too Lazy To Work, Too Nervous To Steal, the toe-tapping Tell Me Mama and the rocking Smoke That Cigarette.As the set progressed I came to the conclusion that BR549 had actually got better with the changes, as Chris Scruggs, especially, added the extra steel to their performance, taking them up that extra level. His guitar playing Is of a very high standard and helps push their musical boundaries even further. Chris took over on lead vocals on a few occasions, and proved his vocal quality on the rocking Ain't Got Time, Faron Young's Live Fast, Love Hard, Die Young and the great Shotgun Boogie with Herron playing some incredulous pedal steel. The songs were now coming thick and fast, as they seemed to want to cram in as much as possible in the allotted time.Mead excelled on the fast-talking comic song Uneasy Rider, which was further enhanced by some electrifying guitar picking from both Mead and Scruggs. Chuck then asked 'What time is it?", and Don answered "Time for Crazy Arms!', which totally pleased the audience. Chris then took centre stage again on the very country Hole In My Pocket, before Herron once again played some scintillating fiddle on Bob Wills' My Window Faces South.Throughout the whole show 'Hawk' Shaw Wilson provided the perfect beat on the drums as we have come to expect from someone so well respected. Still the songs kept a-comin', with yet more of their favourites, including Honky Tonk Song and the ever popular Little Ramona (Gone Hillbilly Nuts). The set was finally brought to a close with the vehemently slapped bass of Firebraugh on Way Too Late.No way were they going to be allowed to end without an encore (even though they had slipped out the back door for a quick cigarette), and they came back a-rockin' with 78 Wheels And A Crowbar and One Long Saturday Night. A second encore then ensued with the fiery Cracker Jack, and an absolutely amazing evening was finally brought to a close. This was one of the best concerts I have seen for a long time, and without doubt the best so far at the Soul Cafe. Dave
Knowles Pre-Tour Update
UK Country Music Magazine "MAVERICK" magazine re. Toni Catlin.
Adrian Cooke
CD Review UK "Country Music People" Magazine - July 2002 TONI CATLIN Heartache On The Run
Concert Review
Accompanying herself on acoustic guitar throughout the evening, Catlin performed twelve songs largely drawn from her independently produced debut album Heartache On The Run that gained such wide acclaim last year. She opened with the first track from the album, Breakin' New Ground. With her honest phrasing, a confident voice showing raw emotion and her lyrical explorations into the boundaries of love it quickly became clear why she is turning into a respected Nashville tunesmith. The audience were captivated. Other songs from the album included Me And My Heartache On The Run (for which she won the 2001 Merlefest songwriting competition), If I Were A Train, Talkin' To The Wind and Wrong Side of Me. Catlin was joined on stage by mandolin player, Jake Armerding. He cited Tim O'Brien as a major influence and his playing added a new bluegrass flavour to Toni's well-crafted songs. He and Toni sang the catchy Wichita, a favourite song of theirs from Tim's album Away Out On The Mountain, and looked to be really enjoying themselves. Towards the end of the night came another song not on the debut album; I Live. A reflection of Catlin's personal feelings about the events of September 11th, the lyrics spoke of courage and having the strength to go on. She had made her trip over to the UK very soon after that terrible day as she was determined to make a breakthrough here. For that reason alone she deserves all that comes to her and judging by the prolonged ovation at the end of the evening, a loyal fan base will no doubt grow. |